All buyers of the book get full access to the Web Edition: A Web-based version of the complete eBook enhanced with video and multiple-choice quizzes.

This product is part of the following series. Click on a series title to see the full list of products in the series.

Pearson offers affordable and accessible purchase options to meet the needs of your students. Connect with us to learn more. He is also the author of numerous video training titles covering Muse, Dreamweaver, InDesign, Illustrator, and more. He has also written articles for SmashingMagazine. Brian has a YouTube channel at youtube. We’re sorry! We don’t recognize your username or password. Please try again. Switching workspaces.

Introducing Adobe Illustrator. Saving a workspace. Opening an Illustrator file. Working with panels. Working with brushes. Exploring the workspace. Working with symbols. Finding more tools. Working with effects. Aligning artwork. Using Image Trace. Transforming artwork. Viewing artwork. Creating a nested group. Aligning objects to each other. Aligning to the artboard.

Selecting in Outline mode. Editing the rectangles. Aligning to a key object. Selecting similar objects. Selecting with a marquee. Aligning anchor points. Rounding corners. Using the Selection tool. Creating rectangles. Working with basic shapes. Creating a new document. Arranging objects. Grouping items. Working with groups.

Distributing objects. Aligning objects. Selecting objects. Cutting with the Scissors tool. Working with Draw Behind mode. Erasing in a straight line. Editing content drawn inside. Cutting in a straight line. Cutting with the Knife tool.

Using the Eraser tool. Editing paths and shapes. Working with drawing modes. Using the Width tool. Cleaning up traced artwork. Reshaping a path. Creating the trailer. Combining shapes. Outlining strokes. Placing artwork. Joining paths. Finishing up. Drawing lines.

Drawing paths with the Pencil tool. Editing a path with the Curvature tool. Practice drawing a river path. Drawing paths with the Curvature tool. Drawing with the Pencil tool. Creating with the Curvature tool. Distorting objects with effects. Creating dashed lines. Working with the bounding box. Editing the ruler origin. Reordering artboards. Using Puppet Warp. Reflecting objects. Working with rulers and guides. Transforming content. Rotating objects.

Creating guides 6. Scaling objects. Renaming artboards Transforming with the Free Transform tool. Copying appearance attributes Converting between smooth points and corner points.

Drawing a series of curves with the Pen tool. Creating and saving a tint of a color. Working with the Anchor Point tool. Deleting and adding anchor points. Editing a nonglobal swatch.

Creating a color group. Combining curves and straight lines. Working with Live Paint. Creating artwork with the Pen tool.

Creating a copy of a swatch. Saving a color as a swatch. Applying an existing color. Adding a spot color. Creating a custom color. Editing a global swatch. Exploring color modes. Editing paths and points. Converting colors. Drawing the swan.

Working with color. Drawing a curve with the Pen tool Using Illustrator swatch libraries. Changing additional character formatting Reshaping text with a preset envelope warp. Modifying text with the Touch Type tool. Changing paragraph formatting. Applying fonts to text in Illustrator. Reshaping type objects. Changing font family and font style. Resizing and reshaping type objects. Fixing missing fonts. Working with glyphs.

Converting between area type and point type. Adding type to the recipe card. Creating columns of text. Changing font color. Importing a plain-text file. Activating Adobe Fonts. Working with Auto Sizing. Adding text at a point. Changing font size. Threading text. Adding area type. Formatting type. Wrapping text. Warping text. Adding transparency to gradients.

Applying appearance attributes to a layer. Adjusting the radial gradient. Applying a radial gradient to artwork. Applying a linear gradient to a stroke. Applying a linear gradient to a fill. Reordering layers and content.

Viewing layer content differently. Finding content in the Layers panel. Working with blended objects. Moving content between layers. Editing a gradient on a stroke. Adjusting a linear gradient fill. Duplicating layer content. Locking and hiding layers. Working with gradients. Creating layers and sublayers. Creating a clipping mask Editing layers and objects. Creating new layers. Creating a sublayer. Understanding layers. Saving a gradient. Editing a gradient.

Pasting layers. Adding multiple strokes and fills to text. Editing paths with the Paintbrush tool. Working with the Blob Brush tool. Applying an existing Art brush. Drawing with the Paintbrush tool. Editing the Pattern brush. Painting with a Bristle brush. Applying a Pattern brush. Creating a Pattern brush.

Creating your own pattern. Using Pattern brushes. Applying an existing pattern. Cleaning up the shapes. Editing an Art brush. Using Bristle brushes. Creating an Art brush. Using Calligraphic brushes.

Types of brushes. Editing your pattern. Applying your pattern. Using Art brushes. Editing a brush. Creating patterns Removing a brush stroke. Creating and applying a graphic style Using default Illustrator symbol libraries Adding assets to a Creative Cloud library. Applying a graphic style to a layer.

Temporarily disabling effects to make edits Working with dynamic symbols. Applying an existing graphic style. Breaking a link to a symbol. Scaling strokes and effects. Updating a graphic style. Working with 3D effects. Applying a Photoshop effect. Placing image files. Applying other effects. Creating a symbol. Editing a symbol. Editing an effect. Combining artwork. Applying an effect.

Using graphic styles. Using live effects. Masking an object with text. Applying a simple mask to an image. Creating an opacity mask. Editing a clipping path mask. Finding link information. Working with image links. Masking with a shape. Placing multiple images. Replacing an image. Packaging a file. Masking images. Creating a PDF. Placing a Photoshop image with Show Import Options Editing an opacity mask. Whether you are a designer or a technical illustrator producing artwork for print publishing, an artist producing multimedia graphics, or a creator of web pages or online content, Adobe Illustrator offers you the tools you need to get professional-quality results.

The features and exercises in this book are based on Illustrator release. The lessons are designed so that you can learn at your own pace. You can follow the book from start to finish or do only the lessons that correspond to your interests and needs.

Each lesson concludes with a review section to quiz you on the main concepts covered. Make sure that you know how to use the mouse and standard menus and commands and also how to open, save, and close files. If you need to review these techniques, see the printed or online documentation for macOS or Windows. You must purchase the Adobe Illustrator software separately. For complete instructions on installing the software, visit helpx.

You must install Illustrator from Adobe Creative Cloud onto your hard disk. Follow the on-screen instructions. Fonts used in this book The Classroom in a Book lesson files use fonts that are part of the Adobe Portfolio plan included with your Creative Cloud subscription, and trial Creative Cloud members have access to a selection of fonts from Adobe for web and desktop use.

For more information about fonts and installation, see the Adobe Illustrator Read Me file on the web at helpx. Online Content Your purchase of this Classroom in a Book includes online materials provided by way of your Account page on adobepress. Web Edition The Web Edition is an online interactive version of the book providing an enhanced learning experience.

Click the Access Bonus Content link below the title of your product to proceed to the download page. Click the lesson file link s to download them to your computer. Click the Launch link to access the product. The preferences file controls how command settings appear on your screen when you open the Adobe Illustrator program. Each time you quit Adobe Illustrator, the position of the panels and certain command settings are recorded in different preference files.

If you want to restore the tools and settings to their original default settings, you can delete the current Adobe Illustrator Prefs file. You must restore the default preferences for Illustrator before you begin each lesson. This ensures that the tools function and the defaults are set exactly as described in this book.

When you have finished the book, you can restore your saved settings, if you like. To delete or save the current Illustrator preferences file The preferences file is created after you quit the program the first time and is updated thereafter.

After launching Illustrator, you can follow these steps: 1 Exit Adobe Illustrator. You will most likely need to enable Windows to show hidden files and folders. For instructions, refer to your Windows documentation. To access this folder, in the Finder press the Option key, and choose Library from the Go menu in the Finder. For more information, refer to the Illustrator help: helpx.

The preferences file is created after you quit the program the first time and is updated thereafter. To restore saved preferences after completing the lessons 1 Exit Adobe Illustrator. Find the original preferences file that you saved and move it to the Adobe Illustrator 24 or other version number Settings folder.

Only the commands and options used in the lessons are explained in this book. For comprehensive information about program features and tutorials, please refer to these resources: Adobe Illustrator Tutorials: helpx.

Adobe Community: community. Adobe Create Magazine: create. Resources for educators: www. Find solutions for education at all levels, including free curricula that can be used to prepare for the Adobe Certified Associate exams. Adobe Illustrator product home page: See www. Adobe Add-ons: exchange. Enhanced way of simplifying paths If you have complex paths in your artwork and want to more easily edit them, use the Simplify feature to reduce the number of anchor points.

Streamlined options appear for simplifying a path. You can click the ellipses Auto Spelling Check Illustrator now includes an automatic way of checking spelling errors.

With the Auto Spell Check feature enabled, spelling will be automatically verified as you type and all the misspelled words will be highlighted in the document.

In case the auto-recovery is not possible, Illustrator now shows an effective messaging that clearly states the file error s and troubleshooting steps for you to try. You will be notified when the export is complete. Adobe is committed to providing the best tools possible for your publishing needs. We hope you enjoy working with Illustrator release as much as we do. This lesson will take about 45 minutes to complete.

To get the lesson files used in this chapter, download them from the web page for this book at www. In this case, you will print the artwork you create as a postcard, so you will choose a preset from the Print presets to start. In the Save As dialog box, leave the name as BoutiqueArt. Artboards are like pages in Adobe InDesign. See all reviews. Top reviews from other countries. Just started the process of design with both this and the Indesign book and have to say that are both very good.

Easy to follow tasks and simple text makes the whole learning process easier. A few minor issues one that though the text is clear some of the icons are tiny and even with my glasses I strained to see them. Also you really have to follow the instructions right from the start as you need to delete a file or you may not see all the controls – it’s easy enough just be sure to read the introduction.

Otherwise seems to be a comprehensive book and I’m looking forward to working through it. Best how to book I’ve worked through in a long time, not only did I get a good understanding of Illustrator I enjoyed the workshops as well. Fast delivery, great quality and will definitely buy again. Report abuse. Good book! For a beginner it is really well explained. Will this book be usefull for the version of illustrator?

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Add to Wishlist. Sign in to Purchase Instantly. Explore Now. Buy As Gift. Overview Creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe Illustrator CC release choose Adobe Illustrator CC Classroom in a Book release from the best-selling series of hands-on software training workbooks from Adobe Press.

 
 

 

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Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe Illustrator CC release choose Adobe Illustrator CC Classroom in a Book release from the best-selling series of hands-on software training workbooks from Adobe Press.

The 15 project-based lessons show users the key techniques for realizing your creative potential with Adobe Illustrator CC. Following hands-on step-by-step projects, users create logos, illustrations, posters, and more. Explore the new Essentials workspace that makes learning Illustrator even easier.

Learn how to use the Shaper tool and Live Shapes along with dynamic symbols to streamline graphics creation. Create website assets and export them in multiple formats to support modern responsive web designs. The online companion files include all the necessary assets for readers to complete the projects featured in each chapter as well as ebook updates when Adobe releases relevant new features for Creative Cloud customers.

All buyers of the book get full access to the Web Edition: a Web-based version of the complete ebook enhanced with video and multiple-choice quizzes. He is also the author of numerous video training titles covering Muse, Dreamweaver, InDesign, Illustrator, and more.

He has also written articles for SmashingMagazine. Brian has a YouTube channel at youtube. Home 1 Books 2. Add to Wishlist. Sign in to Purchase Instantly.

Explore Now. Buy As Gift. Overview Creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe Illustrator CC release choose Adobe Illustrator CC Classroom in a Book release from the best-selling series of hands-on software training workbooks from Adobe Press. Table of Contents 1 Getting to know the work area 2 Techniques for selecting artwork 3 Using shapes to create artwork for a postcard 4 Editing and combining shapes and paths 5 Transforming artwork 6 Creating an illustration with the drawing tools 7 Using color to enhance signage 8 Adding type to a poster 9 Organising your artwork with layers 10 Gradients, blends and patterns 11 Using brushes to create a poster 12 Exploring creative uses of effects and graphic styles 13 Creating artwork for a T-Shirt 14 Using Illustrator CC with other Adobe Applications 15 Exporting assets.

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This best-selling series of hands-on software training books helps you learn the features of Adobe software quickly and easily. Developed by the training experts at Adobe Systems, these books offer complete, self-paced lessons designed to fit your busy schedule and help you learn the features of Adobe software quickly and easily. Each book includes downloadable files to guide you through the lessons and special projects.

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Marketing preferences may be changed at any time. Click the New Swatch button at the bottom of the panel to save it as a swatch.

The blue color should now be showing in the Swatches panel as a saved swatch. Working with layers Layers allow you to organize and more easily select artwork. Type Background, and press Return or Enter to change the layer name. Naming layers can be helpful when organizing content.

Currently, the rectangle you created is on this layer. Click the Create New Layer button at the bottom of the Layers panel, to create a new, blank layer. Double-click the new layer name, Layer 2, and type Content.

Press Return or Enter to change the layer name. By creating multiple layers in your artwork, you can control how overlapping objects are displayed. In the document, artwork on the Content layer will be on top of the artwork on the Background layer since the Content layer is above the Background layer in the Layers panel. Click the eye icon to the left of the Background layer name to temporarily hide the rectangle on the background layer.

Any new artwork will be added to the selected Content layer. Select the Type tool in the Tools panel on the left, and click in a blank area toward the bottom of the artboard. Click the Properties panel tab in the upper-right corner of the application window to the right to show the panel. Click the Fill color box. In the panel that appears, make sure the Swatches button is selected at the top of the panel, and click to select the blue swatch you created in a previous step.

Press the Escape key to hide the panel. In the Character section of the Properties panel, select the font size, and type Press Return or Enter to accept the size change. Click the arrow to the right of the Font Family field in the Properties panel. In the menu that appears, click Find More to see a listing of Adobe fonts.

Click the Activate button to the far right of the Montserrat Light font name to activate it. Click OK in the dialog box that appears to activate the font. Click Montserrat Light to apply it.

Note It may take some time for the font to be activated. With the text selected, in the Properties panel on the right, change the Tracking value by selecting the value in the field and typing Press Return or Enter to accept the change. Click More Options in the Character section to show more options. Creating shapes using the Shape Builder tool The Shape Builder tool is an interactive tool for creating complex shapes by merging and erasing simpler shapes.

Press and hold down on the Rectangle tool in the Tools panel on the left. Select the Ellipse tool in the menu that appears. Above the text, drag to create an ellipse. See the figure for roughly how big to make it. Press the D key to apply the default color fill of white and a black stroke to the shape. Click the stroke color in the Properties panel, and click the Color Mixer button at the top of the panel to make a new color.

Press Return or Enter to hide the panel. Change the stroke weight in the Properties panel to 2. Press and hold on the Ellipse tool, and select the Rectangle tool. Drag to create a small rectangle on top of the ellipse. See the first part of the following figure. To round the corners of the rectangle, drag any of the corner widgets toward the center of the shape. Select the Selection tool in the Tools panel on the left, and drag the ellipse so it is center aligned with the rounded rectangle.

A temporary vertical magenta guide may appear when they are aligned. The goal is to understand how to create and edit the shapes. They come in different shapes and sizes! Drag across both shapes to select them see the first part of the following figure.

Select the Shape Builder tool in the Tools panel on the left. Move the pointer where you see the red X in the middle part of the following figure.

Release the mouse button and then the key. Creating with the Curvature tool With the Curvature tool , you can draw and edit paths quickly and visually to create paths with smooth refined curves and straight lines. Select the Curvature tool in the Tools panel. Move the pointer into a blank area, away from the top of the acorn you just created. Click and release to start drawing a shape see the first part of the following figure. Move the pointer away see the second part of the figure.

Click and release see the first part of the following figure to continue drawing a shape. Move the pointer away and notice the path curving in different ways as you move it. Every time you click, you are creating what is called an anchor point.

The anchor points you add control the shape of the path. Move the pointer up and to the left, and when the path looks something like the figure, click and release to continue drawing the shape.

Move the pointer over where you first clicked. When the pointer shows a small circle next to it , click to close the path, creating a shape. Move the pointer over the point on the left, and when the pointer looks like this , double- click to make it a corner.

Do the same for the point on the right the first anchor point you created. Move the pointer over the point, and double-click to make it a corner as well. You now have all of the artwork you need to make the acorn. Transforming artwork In Illustrator, there are a number of ways to move, rotate, skew, scale, and more—in other words transforming artwork so you can get it just the way you want.

Select the Selection tool in the Tools panel on the left. Click the top of the acorn shape you created in a previous section. Select the Eraser tool in the Tools panel on the left. Drag across the bottom of the artwork in a U shape to erase part of it. After releasing the mouse button, you will see the resulting shape.

Drag across any remaining artwork below the acorn top to erase it see the figure at right. Select the Selection tool , and drag the top of the acorn onto the bottom of the acorn, centering them as best you can see the following acorn figure. Click the Arrange button towards the bottom of the Properties panel to the right of the document and choose Bring To Front to bring the top of the acorn on top of the bottom.

Press Option macOS or Alt Windows , and drag the right point on the box surrounding the shape to make it wider or narrower—whichever allows you to fit the top best. When it looks good, release the mouse button and then the key. Note The figure shows making the top of the acorn a bit narrower.

Drag across both acorn shapes to select them. Click the Fill color in the Properties panel on the right, and choose the None swatch to remove the white fill color. You can use the Shape Builder tool to fix that. Move the pointer where you see the red X in the following figure. Drag across the top shapes to combine them. Make sure not to drag into the bottom shape. Working with symbols A symbol is reusable art stored in the Symbols panel. Symbols are useful because they can help you save time and can save on file size as well.

You will now create a symbol from the acorn artwork. With the acorn shapes still selected, select the Selection tool. Click the New Symbol button at the bottom of the panel to save the selected artwork as a symbol. If a warning dialog box appears, click OK as well. The artwork now appears as a saved symbol in the Symbols panel, and the acorn on the artboard you used to create the symbol is now a symbol instance.

From the Symbols panel, drag the acorn symbol thumbnail onto the artboard twice. Note Your acorn symbol instances may be in different locations than those in the figure. Also, the figure shows dragging the third symbol onto the artboard. Click the X at the top of the Symbols panel group to close it. With one of the acorns selected, move the pointer just off of a corner. When the rotate arrows appear, drag to rotate the acorn.

Click to select one of the other acorns and rotate it in the opposite direction. Double-click the red path of one of the acorn instances on the artboard to enter Isolation mode. In the dialog box that appears, click OK. Tip You could have also clicked the Edit Symbol button in the Properties panel to the right of the document. Click the stroke border of the bottom part of the acorn to select it. Click the Stroke color in the Properties panel, and click the Color Mixer button at the top of the panel to make a new color.

After typing in the last value, press Return or Enter to make the change and also close the panel. Note If Send To Back is dimmed, then you are already set. Double-click in a blank area of the Document window to exit the editing Isolation mode, and notice that the other acorns have changed as well. Creating and editing gradients Gradients are color blends of two or more colors that you can apply to the fill or stroke of artwork.

Click the Layers panel tab in the upper-right corner of the application window to show the panel. Click in the visibility column to the left of the Background layer name to show the rectangle on the Background layer. With the Selection tool selected in the Tools panel to the left, click in the rectangle in the background to select it. Click the Properties panel tab in the upper-right corner of the application window to show the panel. In the Properties panel, click the Fill color box and make sure the Swatches option is selected.

Note A message may appear after selecting the gradient. You can click Okay to dismiss it. At the bottom of the panel, click the Gradient Options button to open the Gradient panel. An arrow is pointing to the button in the previous figure. You can drag the Gradient panel by the title bar at the top to move it around.

Click the Color button in the panel that appears. Click the panel menu icon , and choose CMYK. Press Return or Enter after typing in the last value to make the change and hide the panel.

Click the Radial Gradient button at the top of the Gradient panel to change the gradient to a circular gradient. Click the X at the top of the Gradient panel to close it. That way you can focus on other artwork. Click the Layers panel tab in the upper-right corner of the application window to show the Layers panel. Click the Content layer name so that any new artwork you add will be on the Content layer and above the content on the Background layer.

Make sure that the Link option in the dialog box is not selected, and click Place. Move the loaded graphics cursor into the artboard. Click to place the hand lettering image. With the Selection tool selected, click to select the hand-lettering image. To trace the lettering so you can edit it as shapes in Illustrator, click the Properties panel tab to show the panel. Note Note: The hand lettering was hand-drawn and a picture was taken of it.

It was created by Danielle Fritz www. In the Image Trace panel that opens, click the disclosure triangle to the left of Advanced circled in the figure. Close the Image Trace panel by clicking the small X at the top. With the lettering still selected, click the Expand button in the Quick Actions section of the Properties panel to make the object a series of editable shapes that are grouped together.

With the lettering selected, click the Fill color in the Properties panel. With the Swatches option selected at the top of the panel, click the blue color you created previously to apply it.

With the Selection tool selected, pressing the Shift key, drag a corner of the text shapes to make them larger. When you see a width of approximately 8. Working with brushes Brushes let you stylize the appearance of paths. You can apply brush strokes to existing paths, or you can use the Paintbrush tool to draw a path and apply a brush stroke simultaneously.

Select the Squirrel. Drag the squirrel artwork by one of the red paths, up toward the top of the artboard. Note The lines in the tail of the squirrel and the squirrel artwork are separate objects. If you find that you only drag one, simply drag the other artwork into place. Click a lighter red path in the tail of the squirrel to select a group of paths. Move the pointer over a brush in the list, and you will see its name in a tool tip.

Note The brush you apply is an art brush, which means that it stretches artwork along the path. The brush artwork is scaled on the path based on the stroke border weight. Select the Selection tool , and pressing the Shift key, click the red path of the squirrel artwork to select the paths in the tail and the squirrel.

Aligning artwork Illustrator makes it easy to align or distribute multiple objects relative to each other, the artboard, or a key object. With the Selection tool selected, drag each object into position like you see in the figure. Tip You can also drag across the background rectangle and text to select them. Any content you apply an alignment to will now align to the edges of the artboard. Click the Horizontal Align Center button to align the selected artwork to the horizontal center of the artboard.

Working with effects Effects alter the appearance of an object without changing the base object. With the Selection tool , click the rectangle in the background. Select Preview to see it applied to the rectangle and then click OK. Presenting your document In Illustrator, you can view your document in different ways. Tip Another way to show your document in Presentation mode is to click the Change Screen Mode button toward the bottom of the Tools panel on the left and choose Presentation mode.

To turn it off, you can press the Escape key. Everything but the active artboard is hidden from view. The area around the artboard is replaced by a solid color, usually black.

If there were more artboards like multiple pages in Adobe InDesign , you could press the right or left arrow key to navigate between them. Press the Escape key to exit Presentation mode. The workspace consists of the Application bar, menus, Tools panel, Properties panel, Document window, and other default panels. Work with the Tools panel. Work with panels. Reset and save your workspace. Use viewing options to change the display magnification. Navigate multiple artboards and documents.

Explore document groups. Find resources for using Illustrator. This lesson will take about 45 minutes to complete. Introducing Adobe Illustrator In Illustrator, you primarily create and work with vector graphics sometimes called vector shapes or vector objects.

Vector graphics are made up of lines and curves defined by mathematical objects called vectors. You can freely move or modify vector graphics without losing detail or clarity because they are resolution-independent.

An example of vector artwork. Editing vector artwork. As a result, vector graphics are the best choice for artwork, such as logos, that will be used at various sizes and in various output media. Illustrator also allows you to incorporate bitmap images—technically called raster images—that are made up of a rectangular grid of picture elements pixels. Each pixel is assigned a specific location and color value.

Pictures you take on your phone camera are considered raster images. Raster images can be created and edited in a program like Adobe Photoshop. Example of a raster image and a zoomed-in portion to show the pixels. This is something you will do at the start of each lesson in this book to ensure that the tools function and the defaults are set exactly as described in this lesson. Note If finding the preferences file proves difficult, please email brian brianwoodtraining.

With Illustrator open, you will see a start screen showing resources for Illustrator, and more. The Reset Essentials command ensures that the workspace, which includes all of the tools and panels, is set to the default settings. This command fits the whole artboard into the Document window so that you can see the entire artboard. When the file is open and Illustrator is fully launched, the menus, Application bar, Tools panel, and panels appear on the screen.

Exploring the workspace You create and manipulate your documents and files using various elements, such as panels, bars, and windows.

Any arrangement of these elements is called a workspace. When you first start Illustrator, you see the default workspace, which you can customize for the tasks you perform. You can create and save multiple workspaces—one for editing and another for viewing, for example—and switch among them as you work.

Note The figures in this lesson are taken using macOS and may look slightly different from what you see, especially if you are using Windows. Below, the areas of the default workspace are described: A. The Application bar across the top by default contains application controls, the Workspace Switcher, and Search. On Windows, the menu items appear inline with the Application bar— see the following figure. Panels help you monitor and modify your work. Certain panels are displayed by default, and you can display any panel by choosing it from the Window menu.

The Tools panel contains tools for creating and editing images, artwork, page elements, and more. Related tools are grouped together. The Status bar appears at the lower-left edge of the Document window. It displays information, zooming, and navigation controls. Getting to know the Tools panel The Tools panel on the left side of the workspace contains tools for selecting, drawing and painting, editing, and viewing, as well as the Fill and Stroke boxes, drawing modes, and screen modes.

Move the pointer over the Selection tool in the Tools panel. Notice that the name Selection Tool and keyboard shortcut V are displayed in a tool tip. Tip You can modify the default keyboard shortcuts that Illustrator comes with. Move the pointer over the Direct Selection tool and press and hold until a tools menu appears.

Release the mouse button and then click the Group Selection tool to select it. Any tool in the Tools panel that displays a small triangle contains additional tools that can be selected in this way. Press and hold on the Rectangle tool to reveal more tools. Click the arrow at the right edge of the hidden tools panel to separate the tools from the Tools panel as a separate floating panel of tools, so that you can access them easily. Each click selects the next hidden tool in the tool sequence.

The tools return to the Tools panel. Tip You can also collapse the floating tool panels or dock them to the workspace or each other. In the figures in this lesson, the Tools panel is a single column by default.

Click the double arrow in the upper-left corner of the Tools panel to either expand the one column into two columns or collapse the two columns into one depending on your screen resolution. Click the same double arrow again to collapse or expand the Tools panel. Tip You can click the double arrow at the top of the Tools panel or double-click the title bar at the top of the Tools panel to switch between two columns and one column.

When the Tools panel is floating, be careful not to click the X or it will close! Drag the Tools panel into the workspace by the dark gray title bar at the top of the Tools panel or the dashed line beneath the title bar. The Tools panel is now floating in the workspace. When the pointer reaches the left edge, a translucent blue border, called the drop zone, appears. Release the mouse button to dock the Tools panel neatly into the side of the workspace. Finding more tools In Illustrator, the default set of tools showing in the Tools panel does not include every tool available.

Click Edit Toolbar toward the bottom of the content in the Tools panel on the left. A panel appears that shows all of the tools available to you. You can drag any of the remaining tools into the Tools panel where you can then select them to use them. Note A message may appear after clicking Edit Toolbar. You can click Okay to dismiss it, then click Edit Toolbar again. Tip You can also toggle the appearance of the controls at the bottom of the Tools panel in the menu that appears after clicking Edit Toolbar.

Move the pointer over a tool that is dimmed, like the Selection tool at the top of the tools list you may need to scroll up. The tool is highlighted in the Tools panel. If you hover the pointer over a tool like the Ellipse tool, which is nested within the Rectangle tool, the Rectangle tool will highlight, showing you where it is. Scroll in the list of tools until you see the Shaper tool.

To add it to the Tools panel, drag the Shaper tool onto the Rectangle tool. Press the Escape key to hide the extra tools. The Shaper tool will now be in the Tools panel until you remove it or reset the Tools panel.

Later in the lessons, you will be adding tools to learn more about them. Click Edit Toolbar in the Tools panel again to show the panel of extra tools. Drag the Shaper tool onto the panel. When a minus shows next to the pointer , release the mouse to remove the Shaper tool from the Tools panel. Tip You can reset the Tools panel by clicking the panel menu icon and choosing Reset.

The Properties panel displays properties for the active document when nothing is selected and displays appearance properties for content you select. Select the Selection tool in the Tools panel, and look in the Properties panel on the right. With nothing selected in the document, the Properties panel shows the current document properties as well as program preferences.

Note A message may appear after selecting the shape. Move the pointer into the dark blue background shape in the artwork, and click to select it.

You can change the size, position, color, and much more for the artwork you selected. Words that are underlined in the Properties panel will show more options when you click them.

Press Escape to hide the Transparency panel, if necessary. The Properties panel once again shows document properties and program preferences when nothing is selected. Working with panels Panels in Illustrator, like the Properties panel, give you quick access to many of the tools and options that make modifying artwork easier. All of the panels available in Illustrator are listed alphabetically in the Window menu. Click the Layers panel tab to the right of the Properties panel tab.

The Layers panel appears with two other panels—the Properties panel and the Libraries panel. They are all part of the same panel group.

Tip To find a hidden panel, choose the panel name from the Window menu. A checkmark to the left of the panel name indicates that the panel is already open and in front of other panels in its panel group.

If you choose a panel name that is already selected in the Window menu, the panel and its group either close or collapse. Click the double arrow at the top of the dock to collapse the panels. You can use this method of collapsing the panels so you have more area to work on your document. Drag the left edge of the docked panels to the right until the panel text disappears. This hides the panel names and collapses the panel dock to icons only.

To open a panel when collapsed as an icon, you can click a panel icon. Click the double arrow again to expand the panels. Docking panels Panels in Illustrator can be moved around in the workspace and organized to match your working needs. Click the Window menu at the top of the screen to see all of the panels available in Illustrator.

Choose Align from the Window menu to open the Align panel and the other panels grouped with it by default. Panels you open that do not appear in the default workspace are free-floating.

That means they are not docked and can be moved around. You can dock free-floating panels on the right or left side of the workspace. Drag the Align panel group by the title bar above the panel names to move the group closer to the docked panels on the right. Drag the Align panel by the panel tab, away from the panel group and onto the panel tabs Properties, Layers, and Libraries at the top of the docked panels.

When a blue highlight appears around the entire panel dock, release the mouse button to dock the panel. Click the X at the top of the Transform and Pathfinder panel group, which is free-floating, to close it.

Aside from adding panels to the dock on the right, you can also remove them. Tip You can also dock panels next to each other on the right or left side of the workspace. This is a great way to conserve space. Drag the Align panel by the panel tab, to the left, away from the dock of panels, and release the mouse button. Click the X at the top of the Align panel to close it. Switching workspaces When you first launch Illustrator, the Essentials workspace is showing. Illustrator comes with a host of other default workspaces that can be used to set the workspace for a variety of tasks.

Tip Press Tab to toggle between hiding and showing all panels. Choose Layout from the workspace switcher menu to change workspaces. One of the biggest is the Control panel, which is now docked at the top of the workspace, just above the Document window an arrow is pointing to it in the following figure.

Similar to the Properties panel, it offers quick access to options, commands, and other panels relevant to the currently selected content. Also, notice all of the collapsed panel icons on the right side of the workspace. In workspaces, you can create groups of panels that are stacked one on another.

Choose Essentials from the workspace switcher above the docked panels to switch back to the Essentials workspace. Choose Reset Essentials from the workspace switcher in the Application bar. When you choose a previous workspace to switch to, it remembers any changes you made, like selecting the Libraries panel. To completely reset a workspace, Essentials in this case, to its default settings, you can choose to reset it.

You can also set up the panels the way you like and save your own custom workspace. Drag the Artboards panel by the panel tab onto the Properties panel tab at the top of the docked panels on the right. When a blue highlight appears around the entire panel dock, release the mouse button to dock the Artboards panel. Select the workspace name, and click the Delete Workspace button.

Click the X at the top of the free-floating Asset Export panel to close it. The name of the workspace could be anything, as long as it makes sense to you. In the New Workspace dialog box, name the workspace with the original name.

A message appears in the dialog box warning that you will overwrite an existing workspace with the same name if you click OK. Notice that the panels return to their default positions. Using panel and context menus Most panels in Illustrator have more options available in a panel menu, found by clicking the panel menu icon or in the upper-right corner of a panel.

These additional options can be used to change the panel display, add or change panel content, and more. With the Selection tool selected in the Tools panel on the left, click the dark blue shape in the background of the artwork again.

In the panel that appears, make sure that the Swatches option is selected. Click the panel menu icon in the upper-right corner, and choose Small List View from the panel menu. This displays the swatch names, together with thumbnails. Because the options in the panel menu apply only to the active panel, only the Swatches panel view is affected. Click the same panel menu icon in the panel showing, and choose Small Thumbnail View to return the swatches to their original view.

In addition to the panel menus, context-sensitive menus display commands relevant to the active tool, selection, or panel. Usually the commands in a context menu are available in another part of the workspace, but using a context menu can save you time. Move the pointer over the dark gray area surrounding the artwork. Then, right-click to show a context menu with specific options. The context-sensitive menu you see may contain different commands, depending on what the pointer is positioned over.

Tip If you move the pointer over the tab or title bar for a panel and right-click, you can close a panel or a panel group from the context menu that appears. Adjusting the user-interface Similar to Adobe InDesign or Adobe Photoshop, Illustrator supports a brightness adjustment for the application user interface. This is a program preference setting that allows you to choose a brightness setting from four preset levels.

You can also scale the user interface of Illustrator based on your screen resolution. When you launch Illustrator, it identifies your screen resolution and adjusts the application scale factor accordingly. Scale the user interface using the UI Scaling settings in the User Interface preferences section of the Preferences dialog box.

The magnification level, which can range from 3. Each time you choose a Zoom option, the view of the artwork is resized to the closest preset zoom level. Using any of the viewing tools and commands affects only the display of the artwork, not the actual size of the artwork. The preset zoom levels appear in a menu in the lower- left corner of the Document window, identified by a down arrow next to a percentage. You can also use the View menu to fit the active artboard to your screen, to fit all artboards into the view area, or to view artwork at actual size.

The active artboard is the selected artboard. Artboards represent the areas that can contain printable artwork similar to pages in a program like Adobe InDesign. The artboard is indicated by a red line added to the following figure. Using the Zoom tool In addition to the View menu options, you can use the Zoom tool to magnify and reduce the view of artwork to predefined magnification levels.

Select the Zoom tool in the Tools panel and then move the pointer into the Document window.